Group items tagged

"Techdirt has written many times about the way in which copyright only ever seems to get stronger, and how different jurisdictions point to other examples of excessive copyright to justify making their own just as bad. In Chile, there's an interesting example of that kind of copyright ratchet being applied in the same country but to different domains. It concerns audiovisual works, and aims to give directors, screenwriters and others new rights to "match" those that others enjoy"

"Techdirt has written many times about the way in which copyright only ever seems to get stronger, and how different jurisdictions point to other examples of excessive copyright to justify making their own just as bad. In Chile, there's an interesting example of that kind of copyright ratchet being applied in the same country but to different domains. It concerns audiovisual works, and aims to give directors, screenwriters and others new rights to "match" those that others enjoy"

"Strap in, folks-because we're about to talk copyright law. I'm aware that as soon as I string the words "copyright" and "law" together, eyes start to glaze over. I get it." [# ! Let's take # ! ... the copyright back to its origins: # ! a tool to #promote #creation # ! instead of the actual use as # ! a #weapon to #mass #restriction.]

"Strap in, folks-because we're about to talk copyright law. I'm aware that as soon as I string the words "copyright" and "law" together, eyes start to glaze over. I get it."

[Steve White, Principal - White SW Computer Law In Australia, copyright protection arises as soon as an original copyright work is created. The copyright laws dictate who the copyright owner is and how long the protection lasts. Copyleft is a form of licensing by which the copyright owner may waive their rights and allow other people to share and make further amendments to the work. The concept of Copyleft is used particularly in relation to software. The idea behind Copyleft is to ensure that an individual cannot take advantage of being able to modify a free software program and then sell the resulting modified program as a new work. In some cases, any modifications made to a Copyleft program must be made freely available to all parties interested in using them. The GNU public licence is an example of a Copyleft licence. ]

The Future is Free or it won't be.

"Contents 1 Studies 1.1 Evaluation of the effects of the HADOPI law 1.1.1 University of Delaware and Université de Rennes - 2014 - Graduated Response Policy and the Behavior of Digital Pirates: Evidence from the French Three-Strike (Hadopi) Law 1.1.2 M@rsouin - 2010 - Evaluation of the effects of the HADOPI law (FR) 1.2 People who share files are people who spend the more for culture 1.2.1 Munich School of Management and Copenhagen Business School - Piracy and Movie Revenues: Evidence from Megaupload 1.2.2 The American Assembly (Collumbia University) - Copy Culture in the USA and Germany 1.2.3 GFK (Society for Consumer Research) - Disappointed commissioner suppresses study showing pirates are cinema's best consumers 1.2.4 HADOPI - 2011 - January 2011 study on online cultural practices (FR) 1.2.5 University of Amsterdam - 2010 - Economic and cultural effects of unlawful file sharing 1.2.6 BBC - 2009 - "Pirates" spend more on music (FR) 1.2.7 IPSOS Germany - 2009 - Filesharers are better "consumers" of culture (FR) 1.2.8 Frank N. Magid Associates, Inc. - 2009 - P2P / Best consumers for Hollywood (EN) 1.2.9 Business School of Norway - 2009 - Those who share music spend ten times more money on music (NO) 1.2.10 Annelies Huygen, et al. (Dutch government investigation) - 2009 - Ups and downs - Economische en culturele gevolgen van file sharing voor muziek, film en games 1.2.11 M@rsouin - 2008 - P2P / buy more DVDs (FR) 1.2.12 Canadian Department of Industry - 2007 - P2P / achètent plus de musique (FR) 1.2.13 Felix Oberholzer-Gee (above) and Koleman Strumpf - 2004 -File sharing may boost CD sales 1.3 Economical effects of filesharing 1.3.1 University of Kansas School of Business - Using Markets to Measure the Impact of File Sharing o

"Contents 1 Studies 1.1 Evaluation of the effects of the HADOPI law 1.1.1 University of Delaware and Université de Rennes - 2014 - Graduated Response Policy and the Behavior of Digital Pirates: Evidence from the French Three-Strike (Hadopi) Law 1.1.2 M@rsouin - 2010 - Evaluation of the effects of the HADOPI law (FR) 1.2 People who share files are people who spend the more for culture 1.2.1 Munich School of Management and Copenhagen Business School - Piracy and Movie Revenues: Evidence from Megaupload 1.2.2 The American Assembly (Collumbia University) - Copy Culture in the USA and Germany 1.2.3 GFK (Society for Consumer Research) - Disappointed commissioner suppresses study showing pirates are cinema's best consumers 1.2.4 HADOPI - 2011 - January 2011 study on online cultural practices (FR) 1.2.5 University of Amsterdam - 2010 - Economic and cultural effects of unlawful file sharing 1.2.6 BBC - 2009 - "Pirates" spend more on music (FR) 1.2.7 IPSOS Germany - 2009 - Filesharers are better "consumers" of culture (FR) 1.2.8 Frank N. Magid Associates, Inc. - 2009 - P2P / Best consumers for Hollywood (EN) 1.2.9 Business School of Norway - 2009 - Those who share music spend ten times more money on music (NO) 1.2.10 Annelies Huygen, et al. (Dutch government investigation) - 2009 - Ups and downs - Economische en culturele gevolgen van file sharing voor muziek, film en games 1.2.11 M@rsouin - 2008 - P2P / buy more DVDs (FR) 1.2.12 Canadian Department of Industry - 2007 - P2P / achètent plus de musique (FR) 1.2.13 Felix Oberholzer-Gee (above) and Koleman Strumpf - 2004 -File sharing may boost CD sales 1.3 Economical effects of filesharing 1.3.1 University of Kansas School of Business - Using Markets to Measure the Impact of File Sharing o

"Paris, 14 February 2014 - The European Commission's public consultation on copyright reform is open until 5 March [The European Commission extended the deadline by a month]. This consultation represents an important opportunity for European citizens to demand that access to culture and knowledge be recognised as their fundamental right. It also allows the interests of authors and creators to be defended against those of the cultural industries, major distributors and intermediaries, and heirs of rightholders who currently receive the greatest share of income from copyrighted works. La Quadrature du Net therefore calls on the maximum number of citizens and organisations to reply to the consultation and support a positive reform of copyright."

"January 26, 2014 By Ante I just made a personal submission to the Public Consultation on the review of the EU copyright rules. I used the You can fix copyright website. Very handy, thanks! I added an attachment, see below or pdf, in which I argue that copyright law has to be made compatible with the UN International Covenant on Economic, Social and Cultural Rights (ICESCR)."

[Paris, November 24th, 2011 - The European Court of Justice just rendered a historic decision in the Scarlet Extended case, which is crucial for the future of rights and freedoms on the Internet. The Court ruled that forcing Internet service providers to monitor and censor their users' communications violated EU law, and in particular the right to freedom of communication. At a time of all-out offensive in the war against culture sharing online, this decision suggests that censorship measures requested by the entertainment industry are disproportionate means to enforce an outdated copyright regime. Policy-makers across Europe must take this decision into account by refusing new repressive schemes, such as the Anti-Counterfeiting Trade Agreement (ACTA), and engage in a much needed reform of copyright.]

"Call for Papers CALL FOR SUBMISSIONS We are looking for session submissions from Pirates, NGOs and Academia to following tracks: (other topics are allowed as well) Creativity: copyrights, patents, collaboration, citizen journalism, media, DRM, open access, FOI, public licensing, policy reform, education, etc… Human Rights: security, data protection, surveillance, FOI, basic income, emigration, voting rights, drones, non-proliferation, dual use technology, encryption, anonymity, transparency, net neutrality, open data, egovernment, society, whistle blowing, political science, etc… Activism|Hacktivism: Future, innovation, liquid democracy, transhumanism, cyborgs, startups, vision, 3d-printing, crowdsourcing, big data, participation, pirate parties, artificial intelligence, globalization, space travel, social networks, freemanning, freehammond, hacktivism, activism, civil disobedience, hacker culture, cyberpunk, cypherpunk, wikileaks, surveillance, digital activism, etc..."

"Call for Papers CALL FOR SUBMISSIONS We are looking for session submissions from Pirates, NGOs and Academia to following tracks: (other topics are allowed as well) Creativity: copyrights, patents, collaboration, citizen journalism, media, DRM, open access, FOI, public licensing, policy reform, education, etc… Human Rights: security, data protection, surveillance, FOI, basic income, emigration, voting rights, drones, non-proliferation, dual use technology, encryption, anonymity, transparency, net neutrality, open data, egovernment, society, whistle blowing, political science, etc… Activism|Hacktivism: Future, innovation, liquid democracy, transhumanism, cyborgs, startups, vision, 3d-printing, crowdsourcing, big data, participation, pirate parties, artificial intelligence, globalization, space travel, social networks, freemanning, freehammond, hacktivism, activism, civil disobedience, hacker culture, cyberpunk, cypherpunk, wikileaks, surveillance, digital activism, etc..."

[# Via FB's Francisco George x Arif Yıldırım] Deadline July 18th 2014 "Call for Papers CALL FOR SUBMISSIONS We are looking for session submissions from Pirates, NGOs and Academia to following tracks: (other topics are allowed as well) Creativity: copyrights, patents, collaboration, citizen journalism, media, DRM, open access, FOI, public licensing, policy reform, education, etc… Human Rights: security, data protection, surveillance, FOI, basic income, emigration, voting rights, drones, non-proliferation, dual use technology, encryption, anonymity, transparency, net neutrality, open data, egovernment, society, whistle blowing, political science, etc… Activism|Hacktivism: Future, innovation, liquid democracy, transhumanism, cyborgs, startups, vision, 3d-printing, crowdsourcing, big data, participation, pirate parties, artificial intelligence, globalization, space travel, social networks, freemanning, freehammond, hacktivism, activism, civil disobedience, hacker culture, cyberpunk, cypherpunk, wikileaks, surveillance, digital activism, etc..."

"The proposed new measures will increase the sanctions for criminals who infringe the rights of copyright holders for large-scale financial gain and will make clear that online copyright infringement is no less serious than physical infringement. "

" Rick Falkvinge on June 21, 2015 C: 0 Opinion The copyright monopoly is based on the idea of an exchange. In exchange for exclusive rights, the copyright industry supplies culture and knowledge to the public. It turns out that the entire premise is a lie, as untethered creators are racing to provide culture and knowledge anyway."

Gallo Report on the future of EU copyright: repression or reflexion ? Submitted on 25 May 2010 in * copyright * proposals * Gallo * press release * Read more * Twitter * Facebook * Delicious * Digg * MySpace * Français Paris, May 25th, 2010 - The Gallo Report on the future of "intellectual property rights" (IPR) enforcement will be voted on June 1st, at 9 AM,1 in the Committee for Legal Affairs (JURI) of the European Parliament. Since no compromise was found between the members of the committee, two visions will frontally oppose. While the rapporteur -- French sarkozyst EPP member Marielle Gallo -- is pushing for more repression to tackle online file-sharing, some positive amendments from all the other political groups2 seek to end the dogmatic repression and call for the consideration of alternative schemes to fund creation. Every citizen concerned by the future of copyright in Europe and by the open nature of the Internet should express their views to the Members of the JURI committee3. 1. 1. http://www.europarl.europa.eu/activities/committees/calendarCom.do?langu... 2. 2. http://www.laquadrature.net/wiki/Rapport_Gallo_Amendments 3. 3. La Quadrature's wiki-based tool Political Memorycan be used for this purpose.

Perhaps The (Only One) Association that cares about Internet Citizens' Freedoms here in Europe...

["The Financial Times reported on Monday (paywall) that YouTube has paid out $1 billion to copyright holders in a program that allows them to monetize unauthorized use of their copyrighted material." ...] # ! Guess what '#They' have to #complain about... # ! Yes, You got it: about the #loss of #control of the #entertainment/#culture #supply...

"The Financial Times reported on Monday (paywall) that YouTube has paid out $1 billion to copyright holders in a program that allows them to monetize unauthorized use of their copyrighted material."

"from the direct-sharing-files-is-hard dept Parker Higgins has a great opinion piece over at Wired, which is ostensibly about the recent release of OnionShare, a tool for sharing large documents directly and securely between two individuals, but which looks deeper into the question of why we're in 2014 and sharing such large files directly without intermediaries is such a challenge. And, as Higgins notes, a big part of that goes right back to... the copyright wars. "

"from the direct-sharing-files-is-hard dept Parker Higgins has a great opinion piece over at Wired, which is ostensibly about the recent release of OnionShare, a tool for sharing large documents directly and securely between two individuals, but which looks deeper into the question of why we're in 2014 and sharing such large files directly without intermediaries is such a challenge. And, as Higgins notes, a big part of that goes right back to... the copyright wars. "

The recording industry is worried about cloud computing. Hollywood was probably there too. 

Entertainment Industry should care more about quality, accessibility and price of their productions instead of being always blaming technology and forcing restrictive legislation...

"Several significant copyright milestones were reached earlier this year. The first key movement was that Congressional hearings began on reforming the copyright law. "

[# ! Is not copyright to promote creation? so, it should we enough -for the 'creators' to hold the rights DURING Author's Life...? Everything beyond is a swindle...] Baiting the Pie Last year's hearings on music licensing at the House Judiciary Committee's IP Subcommittee revealed an old argument from broadcasters and a new twist on that argument adopted by webcasters. We already pay for music-you people go fight over that pie.

[# ! Is not copyright to promote creation? so, it should we enough -for the 'creators' to hold the rights DURING Author's Life...? Everything beyond is a swindle...] Baiting the Pie Last year's hearings on music licensing at the House Judiciary Committee's IP Subcommittee revealed an old argument from broadcasters and a new twist on that argument adopted by webcasters. We already pay for music-you people go fight over that pie.

[# ! Is not copyright to promote creation? so, it should we enough -for the 'creators' to hold the rights DURING Author's Life...? Everything beyond is a swindle...] Baiting the Pie Last year's hearings on music licensing at the House Judiciary Committee's IP Subcommittee revealed an old argument from broadcasters and a new twist on that argument adopted by webcasters. We already pay for music-you people go fight over that pie.

"DRAFT REPORT on the implementation of Directive 2001/29/EC of the European Parliament and of the Council of 22 May 2001 on the harmonisation of certain aspects of copyright and related rights in the information society (2014/2256(INI))"

"DRAFT REPORT on the implementation of Directive 2001/29/EC of the European Parliament and of the Council of 22 May 2001 on the harmonisation of certain aspects of copyright and related rights in the information society (2014/2256(INI))"

" Ernesto on October 15, 2016 C: 18 Breaking A ring of misleading websites is charging people to pay for copyright registrations in the UK, Australia and elsewhere, even though it's a free and automatic right. In India, where there's also an official registration office, the authorities are taking legal action to stop the "fraudulent" operation."

Note that an unofficial translation of the parliamentary motion is linked from the article. This adds substantially to the pressure internationally to end software patents because Germany has been the strongest defender of software patents in Europe. The same legal grounds would not apply in the U.S. The strongest argument for the non-patentability in the U.S., in my opinion, is that software patents embody embody both prior art and obviousness. A general purpose computer can accomplish nothing unforeseen by the prior art of the computing device. And it is impossible for software to do more than cause different sequences of bit register states to be executed. This is the province of "skilled artisans" using known methods to produce predictable results. There is a long line of Supreme Court decisions holding that an "invention" with such traits is non-patentable. I have summarized that argument with citations at .